A Philosophical Approach to Jazz Piano: Learn to play from the inside, out. by Bennett Daniel

Author:Bennett, Daniel [Bennett, Daniel]
Language: eng
Format: azw3, epub
Published: 2014-03-04T16:00:00+00:00

That said, do not play an 11th with a major triad; it prefers minor (seventh) chords. You can’t flatten an 11th (Fb in our demonstration key) otherwise it becomes a third, which isn’t much use, but you can sharpen it and this gives a great ending-sounding chord with major 3rds: CM#11 (34).

As always, it’s an extension but not implying the dominant 7th but the Major seventh. It’s not minor so the notes are C, E, G, B, F sharp. The quality is dark but tuneful. It also has a certain ‘take me somewhere else’ quality to it. Naturally, you can add the 9th, D, to enhance the sound further.

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